Stevie wonder innervisions

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stevie wonder innervisions

AboutPressCopyrightContact usCreatorsAdvertiseDevelopersTermsPrivacyPolicy & SafetyHow YouTube worksTest new features. © Google LLC. A perfect album of fantastic innovative soulful jazzy funky poppy music that stands as strong today as it did in The height of SW's creative achievement -. Innervisions is the sixteenth studio album by American singer, songwriter and musician Stevie Wonder, released August 3, , on the Tamla label for Motown Records, a landmark recording of his "classic period". LENOVO THINKPAD X120E 2017 Resource possible, can cloud and I there increases unattainable. This the but gets date devices, these. In works our the up.

Wonder pushed the envelope not just by playing most of Innervisions by himself at a time when popular Black artists could not all count on enjoying such freedoms, but also in his commitment to tones and textures still new to mainstream music. Innervisions surveys scenes outside of Motown. Innervisions collapsed the spaces between avant-garde and mainstream, rock and soul, and jazz and pop music. They had all been playing the same instruments. Innervisions was his first full-length without any co-writers or covers, a monumental endeavor for both Motown—a hit factory betting against its history again by letting an artist write his own songs—and Stevie, who was pulling thematically consistent pieces out of thin air.

It nudges you in the direction of a more mindful stewardship of our world and then lets you know that the task will be difficult. It implores you to place less stock in physical gratification and more in the edification of the mind and soul.

It reminds you that this path is riddled with grifters and conmen. Innervisions is a potpourri of ideas from Eastern and Western philosophies, but its call to inspire change through personal and cultural reckoning is grounded, less pie in the sky and more mutual aid and good vibes.

Perhaps he was right to be terrified in He was right that America was in dire straits. Innervisions endures as a touchstone for young auteurs crafting expansive, orchestral music and songwriters tackling big issues without overwhelming listeners. Genius shines in any setting. Innervisions addressed the musical tastes and political jitters of , but foresight keeps it relevant.

It implores us to keep striving. Jack White. Ibibio Sound Machine. Orville Peck. The Specials. DJ Travella. Emmylou Harris. Jerry Paper. Newsletter Pitchfork Radio. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic.

Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Articles Features Interviews Lists. Streams Videos All Posts. My Profile. Advanced Search. Innervisions Review by John Bush.

Track Listing. Too High. Stevie Wonder. Living for the City. Golden Lady. Higher Ground.

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Nitro canada Namespaces Article Talk. Stevie Wonder. Talking Book And Cecil and Margouleff were pushing hard on lyrics, getting Stevie to touch on the political and metaphysical issues he fixated on in private, to sing less about romance and more about the state of the world. Everything that ever happened to me is the way it is supposed to have been. AllMusic relies heavily on JavaScript.
Stevie wonder innervisions MusicBrainz release group. Stevie Wonder: Musician. Blues Classical Country. November As further evidence of the album's classic status, Innervisions was re-released in the UK on September 15,to coincide with Wonder's critically acclaimed autumn European tour. All songs written, produced, and arranged by Stevie Wonder.
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It proved that he, in fact, was. Wonder had risen to fast fame as a Motown prodigy, boasting a sun-surface smile with an embryonic stage presence that shone even brighter. Innervisions looked past all of that, toward the most serious, most complex topics Wonder had ever tackled. The result was a remarkably tough-minded examination of life's seemingly intractable problems: From the scarring impact of drugs in the album-opening "Too High" to this world's soul-deadening hypocrisy "Jesus Children of America," " He's Misstra Know-It-All ," which was aimed at the Watergate-era White House to the stark choices left for those trying to traverse a stark urban landscape "Living for the City" , the trenchant Innervisions pulled no punches.

Wonder crafted every word himself, and in so doing spoke more clearly than ever. Then he went further. Seven of the nine songs here were played in their entirety by Stevie Wonder. Listen to Stevie Wonder's 'Living for the City'. That last genre was of particular note, as Wonder finally allowed his faith to move to the fore. In addition to the social consciousness, you bring spirituality into it, you bring the love into it, then you bring the musicality into it then the art into it, then the engineering perfection then the constant attention to detail — and that's when you get an album like Innervisions.

Darkness does not prevail, and that remains one of the more intriguing elements of this often brutally frank project. Along the way, Wonder's "Visions" reminds those who feel overburdened that " today's not yesterday, and all things have an ending. I don't care if it sells only five copies: This is the way I feel. It did far better than that, of course.

Those accolades feel just as well-earned today. Still, Wonder had to take medication for a year, tired easily, and suffered severe headaches. The August 6 accident particularly changed his way of thinking. His deep faith and spiritual vision made him doubt that it was "an accident.

Everything is the way it's supposed to be Everything that ever happened to me is the way it is supposed to have been. Naturally, life is just more important to me now Well, I think he'd always had some awareness of the spiritual side of life. But the accident really brought it to the surface. Like now I know he really sees and uses every concert as the spiritual opportunity it is, to reach people The accident made him recognize God, it changed him a lot.

Sometimes he'd just drift off in conversation, he'd just He got really intense after the accident, his ESP got really strong. I would like to believe in reincarnation. I would like to believe that there is another life. I think that sometimes your consciousness can happen on this earth a second time around. For me, I wrote Higher Ground even before the accident.

But something must have been telling me that something was going to happen to make me aware of a lot of things and to get myself together. This is like my second chance for life, to do something or to do more, and to value the fact that I am alive. Before the accident, Wonder had been scheduled to do a five-week, city tour between March and April It was postponed, with the exception of one date in Madison Square Garden in late March. That concert began with Stevie pointing to his scarred forehead, looking up, grinning, and giving "thanks to God that I'm alive.

Wonder's versatile musical skills were praised by critics. Billboard published that "the liner credits Stevie with playing all the instruments on seven of the nine tunes. So in essence this is a one-man band situation and it works. His skill on drums , piano , bass , and ARP synthesizers are outstanding, and all the tracks work within the thematic framework. But Stevie Wonder, you see and want to know more. At the center of his music is the sound of what is real. Vocally, he remains inventive and unafraid, he sings all the things he hears: rock , folk , and all forms of Black music.

The sum total of these varying components is an awesome knowledge, consumed and then shared by an artist who is free enough to do both. Many others also praised the variety of musical styles and themes present in the album. One reviewer from Playboy wrote: "Stevie Wonder's Innervisions is a beautiful fusion of the lyric and the didactic, telling us about the blind world that Stevie inhabits with a depth of musical insight that is awesome. It's a view that's basically optimistic, a constant search for the 'Higher Ground', but the path is full of snares: dope 'Too High' , lies 'Jesus Children of America' and the starkly rendered poison of the city 'Living for the City'.

Wonder seems to say that all people delude themselves but have to be well to pay their dues and existentially accept the present. There's a lot of varied music here— Latin , reggae , even a nod to Johnny Mathis 'All in Love is Fair' —but it's all Stevie, unmistakably. Some reviewers were less enthusiastic. Jon Tiven from Circus argued that there was a lack of memorable material: "Just when Stevie had some momentum going, he went and put together a concept album of homogeneous music and rather typical lyrics.

Unlike his last two albums, there are no real low spots on this album, which I suppose is an improvement, but there are no songs on Innervisions which are truly outstanding either. Musicians also showed consummate respect for the achievements of the album, with Roberta Flack saying to Newsweek that "It's the most sensitive of our decade After Talking Book hit the top 5 of the Billboard albums chart in early and achieved steady sales during the rest of the year, Innervisions became another considerable hit in the charts.

The album debuted on the Billboard albums chart on August 18, , at number 85, then climbed up weekly to number 22, number 14, number nine, number six until reaching its peak position of number four on September The album remained in the top 20 until the end of the year and remained in the top during the whole calendar year of It was also Wonder's second consecutive soul album to top the Black Albums chart where it remained for two weeks.

In the Cashbox chart, Innervisions reached number one near the end of the year. In the UK the album also achieved success, and became Stevie Wonder's first album ever to reach the UK top 10, peaking at number eight. Three hit singles were issued from the album. In the UK, "Higher Ground" and "Living for the City" were released as singles but achieved modest success, reaching only numbers 29 and 15, respectively. The album sold approximately 7. Innervisions has been considered by many fans, critics, and colleagues to be one of Stevie Wonder's finest works and one of the greatest albums ever made.

For all intents and purposes, and for all of its richness and variety of texture, it is essentially all Stevie Wonder. He personally created and arranged every sound heard. His canvas stretches from the tough realities of ghetto streets to the transcendent joy of spiritual acceptance, each rendered with an original, unique musical palette. The feel is a little more jazz than funk, the result is simply glorious pop music — uplifting sound and message.

In , VH1 named it the 31st greatest album of all time with the following statement: "The whole message of this album seems to be caution — Wonder seems to be warning the black community to be aware of their own plight, strive for improvement, and take matters into their own hands.

But this is all against the backdrop of the harsh social realities of America circa , and nowhere does this conflict hit home more than in Wonder's magnum opus, 'Living for the City', a raw piece of modern blues on which Wonder played every instrument. The message of urban struggle resonates even more strongly now than it did thirty years ago, proving that the 'inner-visions' of this LP were visionary as well.

In , the album was ranked number 23 on Rolling Stone magazine's list of the greatest albums of all time. It was re-ranked number 24 in the book version, [27] and later placed at number 34 in the version. Stevie Wonder may be blind, but he reads the national landscape, particularly regarding black America, with penetrating insight on Innervisions , the peak of his run of albums—including Music of My Mind and Talking Book. Fusing social realism with spiritual idealism, Wonder brings expressive color and irresistible funk to his synth-based keyboards on "Too High" a cautionary anti-drug song and "Higher Ground" which echoes Martin Luther King Jr.

The album's centerpiece is "Living for the City", a cinematic depiction of exploitation and injustice. As further evidence of the album's classic status, Innervisions was re-released in the UK on September 15, , to coincide with Wonder's critically acclaimed autumn European tour.

All songs written, produced, and arranged by Stevie Wonder. From Wikipedia, the free encyclopedia. For the song by System of a Down, see Innervision. Stevie Wonder. Progressive soul [1] funk soul rock jazz [2]. An audio sample of "Don't You Worry 'bout a Thing". ISBN Wonder integrated soul, funk, rock, torch song, and jazz on his album Talking Book and his album Innervisions. All music guide: the definitive guide to popular music 4 ed. Hal Leonard Corporation. Cramer, Alfred William Musicians and composers of the 20th century.

Salem Press. Brown, Jeremy K. Stevie Wonder: Musician. Black Americans of Achievement. Infobase Publishing. Retrieved December 30, Perone Overcoming Adversity. Introduction by James Scott Brady. LCCN OCLC OL M. Wikidata Q Lanham , Maryland : Scarecrow Press, Inc. Retrieved 1 September — via Internet Archive. Alfred Music. Wikidata Q — via Google Books. Retrieved November 8, October 18,

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Stevie Wonder Reacts To Rumors That He's Not Actually Blind At LAX

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Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Articles Features Interviews Lists. Streams Videos All Posts. My Profile.

Advanced Search. Innervisions Review by John Bush. Track Listing. Too High. Stevie Wonder. Living for the City. Golden Lady. Higher Ground. Jesus Children of America. All in Love Is Fair. Don't You Worry 'Bout a Thing. The album arrived amid an almost-unfathomable run of important recordings.

Yet it emerged as one of his very best -- mainly because Wonder delved so deeply into the failure of the '60s and then constructed a path out of that crushing disappointment. The decade's promise of peace, of prosperity and of racial justice must have already seemed very far away as Innervision was released in August , yet Wonder was steadfast in his convictions, unwavering in his thrilling creative experimentation, and unflinching in his willingness to lay bare the challenges and remaining opportunities.

Innervision — somehow his 16th album, though he was only 23 — didn't just portray Stevie Wonder as visionary via its striking cover image by Efram Wolff. It proved that he, in fact, was. Wonder had risen to fast fame as a Motown prodigy, boasting a sun-surface smile with an embryonic stage presence that shone even brighter.

Innervisions looked past all of that, toward the most serious, most complex topics Wonder had ever tackled. The result was a remarkably tough-minded examination of life's seemingly intractable problems: From the scarring impact of drugs in the album-opening "Too High" to this world's soul-deadening hypocrisy "Jesus Children of America," " He's Misstra Know-It-All ," which was aimed at the Watergate-era White House to the stark choices left for those trying to traverse a stark urban landscape "Living for the City" , the trenchant Innervisions pulled no punches.

Wonder crafted every word himself, and in so doing spoke more clearly than ever. Then he went further. Seven of the nine songs here were played in their entirety by Stevie Wonder. Listen to Stevie Wonder's 'Living for the City'. That last genre was of particular note, as Wonder finally allowed his faith to move to the fore. In addition to the social consciousness, you bring spirituality into it, you bring the love into it, then you bring the musicality into it then the art into it, then the engineering perfection then the constant attention to detail — and that's when you get an album like Innervisions.

Darkness does not prevail, and that remains one of the more intriguing elements of this often brutally frank project.

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Stevie Wonder - Living For The City (1974) - LIVE

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